The Red Poppy

The great thing
is not having
a mind. Feelings:
oh, I have those; they
govern me. I have
a lord in heaven
called the sun, and open
for him, showing him
the fire of my own heart, fire
like his presence.
What could such glory be
if not a heart? Oh my brothers and sisters,
were you like me once, long ago,
before you were human? Did you
permit yourselves
to open once, who would never
open again? Because in truth
I am speaking now
the way you do. I speak
because I am shattered.

– Louise Glück

A Central Pain

The man in the bathroom,
his words are waiting
the way pips are suspended in the throat of an apple.

He spits into the sink.
Who is this man. Where is this bathroom.
He throws something into the bin from a distance.

His heartbeat vibrates little waves through the bathwater.
He is an island, after all.
The sound of his blood in his ears is a fuzzy,
high-pitched sound.

A voice from the next room calls out
come here.
Whose voice is this.
What do they want from him.

There is a pain between his shoulder blades.
It is a central pain, where wings would sprout from.

When he closes his eyes
he is in a room of people in identical clothes
refusing to dissect cow hearts –
their purpleness, their unromantic shapes.

It is a hot, bright day
and the smell of blood fills the air, or seems to.

Underwater he is rehearsing
once again
the moment he will pour forth words, which will be arrows,
which lodge in the thigh of a princess,

who looks at them but doesn’t feel pain.
The brain tells the body a lie. The brain
tells the eyes a lie.

The heart continues to beat
after it is removed from the body
like a mouth failing over and over again to find words.

(After R Perry)

Dictionaries

How many poems sleep in dictionaries
buried like needles in hay
How many poets not yet born
rolled in tight webs of confusion
How many tender confessions there
How many small unkindnesses
How many games

And what unexplored
uninhabited
deserts of silences

(after Anna Kamieńska)

Electric

I have a soft roll on my desk
which two or three times
I’ve squeezed very gently
when no one is looking
butter
sprinkle of salt
soup
dream
the price of gold is falling
I can’t see behind me out the window
but the reflection
on the floor suggests
intermittent sun
tomorrow
I will sit on the museum steps
and read
last week
a pigeon actually flew into my chest
an avocado on my desk
is playing dead and prehistoric
another politician
has behaved terribly
later
I will take an online personality test
and do better
turns out the sky is falling down
in fat pieces
later
I will be caught in a vicious cycle
of removing strawberry pips from my teeth
with strawberries
later
moving through the rain reading the texts from a person
who is the person I fell in love with
I will be electric in the world

Then

The party I skipped,
so we never met,
the ballets we saw alone,
years in which we swam
over and under

never breaking surface,
slippy with youth, one kiss
an island between two deeps,
the birds wheeling, a fish leaping,
there, in the Before.

Hurt

What do you call that place
in a tree where damage collects?
A bole blackened by disease, neglect,
a stoop pooling the slow drip
of darkened leaf,
the brilliance
of lightning bringing only regret
at what’s been broken, torn or blasted.
What do you call that place? I forget.

Sonnet

I’m copying down my memories.
Old visions are not all good ones.
The spring sunlight that warms my fingers
also falls across today’s empty bed.

Between the window’s outside and inside
a fragment of the world is suspended.
As I reach to touch it
the beautiful thing gallops away.

I keep gazing at everything.
My heart reluctantly whispers
but love hushes it.

Today returns;
yesterday is a blur;
I can’t imagine the shape of tomorrow.