In my room, the world is beyond my understanding;
But when I walk I see that it consists of three or four
hills and a cloud.
From my balcony, I survey the yellow air,
Reading where I have written,
“The spring is like a belle undressing.”
The gold tree is blue,
The singer has pulled his cloak over his head.
The moon is in the folds of the cloak.
by Wallace Stevens
Cut one, the lace of acid
rushes out, spills over your hands.
You lick them, manners don’t come into it.
Orange. The first word you have heard that day
enters your mind. Everybody then
does what he or she wants; breakfast is casual.
Slices, quarters, halves, or the whole hand
holding an orange ball like the morning sun
on a day of soft wind and no clouds
which it so often is. “Oh, I always
want to live like this,
flying up out of the furrows of sleep,
fresh from water and its sheer excitement,
felled as though by a miracle
at this first sharp taste of the day!”
You’re shouting, but no one is surprised.
Here, there, everywhere on the earth
thousands are rising and shouting with you,
even those who are utterly silent, absorbed,
their mouths filled with such sweetness.
by Mary Oliver
After Frank O’Hara / After Roger Reeves
Ocean, don’t be afraid.
The end of the road is so far ahead
it is already behind us.
Don’t worry. Your father is only your father
until one of you forgets. Like how the spine
won’t remember its wings
no matter how many times our knees
kiss the pavement. Ocean,
are you listening? The most beautiful part
of your body is wherever
your mother’s shadow falls.
Here’s the house with childhood
whittled down to a single red tripwire.
Don’t worry. Just call it horizon
& you’ll never reach it.
Here’s today. Jump. I promise it’s not
a lifeboat. Here’s the man
whose arms are wide enough to gather
your leaving. & here the moment,
just after the lights go out, when you can still see
the faint torch between his legs.
How you use it again & again
to find your own hands.
You asked for a second chance
& are given a mouth to empty into.
Don’t be afraid, the gunfire
is only the sound of people
trying to live a little longer. Ocean. Ocean,
get up. The most beautiful part of your body
is where it’s headed. & remember,
loneliness is still time spent
with the world. Here’s
the room with everyone in it.
Your dead friends passing
through you like wind through a wind
chime. Here’s a desk
with the gimp leg & a brick
to make it last. Yes, here’s a room
so warm & blood-close,
I swear, you will wake—
& mistake these walls
– Ocean Vuong
I don’t want to live a small life. Open your eyes,
open your hands. I have just come
from the berry fields, the sun
kissing me with its golden mouth all the way
(open your hands) and the wind-winged clouds
following along thinking perhaps I might
feed them, but no I carry these heart-shapes
only to you. Look how many small
but so sweet and maybe the last gift
I will bring to anyone in this
world of hope and risk, so do
Look at me. Open your life, open your hands.
– Mary Oliver
Performance without rehearsal.
Body without alterations.
Head without premeditation.
I know nothing of the role I play.
I only know it’s mine. I can’t exchange it.
I have to guess on the spot
just what this play’s all about.
Ill-prepared for the privilege of living,
I can barely keep up with the pace that the action demands.
I improvise, although I loathe improvisation.
I trip at every step over my own ignorance.
I can’t conceal my hayseed manners.
My instincts are for happy histrionics.
Stage fright makes excuses for me, which humiliate me more.
Extenuating circumstances strike me as cruel.
Words and impulses you can’t take back,
stars you’ll never get counted,
your character like a raincoat you button on the run —
the pitiful results of all this unexpectedness.
If only I could just rehearse one Wednesday in advance,
or repeat a single Thursday that has passed!
But here comes Friday with a script I haven’t seen.
Is it fair, I ask
(my voice a little hoarse,
since I couldn’t even clear my throat offstage).
You’d be wrong to think that it’s just a slapdash quiz
taken in makeshift accommodations. Oh no.
I’m standing on the set and I see how strong it is.
The props are surprisingly precise.
The machine rotating the stage has been around even longer.
The farthest galaxies have been turned on.
Oh no, there’s no question, this must be the premiere.
And whatever I do
will become forever what I’ve done.
– Wisława Szymborska
Wait, for now.
Distrust everything, if you have to.
But trust the hours. Haven’t they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become lovely again.
Second-hand gloves will become lovely again,
their memories are what give them
the need for other hands. And the desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.
Don’t go too early.
You’re tired. But everyone’s tired.
But no one is tired enough.
Only wait a while and listen.
Music of hair,
Music of pain,
music of looms weaving all our loves again.
Be there to hear it, it will be the only time,
most of all to hear,
the flute of your whole existence,
rehearsed by the sorrows, play itself into total exhaustion.
– Galway Kinnell
I don’t want to say anything about
how dark it is right now, how quiet.
Those yellow lanterns among the trees,
cars on the road beyond the forest,
I have nothing to say about them.
And there’s half a moon as well
that I don’t want to talk about,
like those slow clouds edged
with silver, or the few unassembled stars.
There’s more to all of that than this,
of course, and you would know it
better than most, better I mean
than any other, which is only
to say I had always intended
finding you here where I could
tell you exactly what I wanted to say
as if I had nothing to say
to anyone but you.
– Lawrence Raab
I look up, you are standing
on the other side of the window
now your body
glimmers in the dark
room / you rise above me
smooth, chill, stone-
white / you smell of tunnels
you smell of too much time
I should have used leaves
and silver to prevent you
instead I summoned
you are not a bird you do not fly
you are not an animal you do not run
you are not a woman
your mouth is nothingness
where it touches me I vanish
you descend on me like age
you descend on me like earth
– Margaret Atwood
There was one summer
that returned many times over
there was one flower unfurling
taking many forms
Crimson of the monarda, pale gold of the late roses
There was one love
There was one love, there were many nights
Smell of the mock orange tree
Corridors of jasmine and lilies
Still the wind blew
There were many winters but I closed my eyes
The cold air white with dissolved wings
There was one garden when the snow melted
Azure and white; I couldn’t tell
my solitude from love—
There was one love; he had many voices
There was one dawn; sometimes
we watched it together
I was here
I was here
There was one summer returning over and over
there was one dawn
I grew old watching
– Louise Glück
a word is found so right it trembles
at the slightest explanation.
You start out with one thing, end
up with another, and nothing’s
like it used to be, not even the future.
– Rita Dove
Over my head, I see the bronze butterfly,
Asleep on the black trunk,
Blowing like a leaf in green shadow.
Down the ravine behind the empty house,
The cowbells follow one another
Into the distances of the afternoon.
To my right,
In a field of sunlight between two pines,
The droppings of last year’s horses
Blaze up into golden stones.
I lean back, as the evening darkens and comes on.
A chicken hawk floats over, looking for home.
I have wasted my life.
– James Wright
Is it starting to rain?
Did the check bounce?
Are we out of coffee?
Is this going to hurt?
Could you lose your job?
Did the glass break?
Was the baggage misrouted?
Will this go on my record?
Are you missing much money?
Was anyone injured?
Is the traffic heavy?
Do I have to remove my clothes?
Will it leave a scar?
Must you go?
Will this be in the papers?
Is my time up already?
Are we seeing the understudy?
Will it affect my eyesight?
Did all the books burn?
Are you still smoking?
Is the bone broken?
Will I have to put him to sleep?
Was the car totaled?
Am I responsible for these charges?
Are you contagious?
Will we have to wait long?
Is the runway icy?
Was the gun loaded?
Could this cause side effects?
Do you know who betrayed you?
Is the wound infected?
Are we lost?
Will it get any worse?
– Jeanne Marie Beaumont